posted September 10, 2019
Suddenly, the realistic but concocted moving images known as “deep fakes” are very much in the news. Those are versions of existing footage that has been jerryrigged to look very like the originals, but to convey something different, often with great plausibility. What challenges will they pose to archivists, and how ready are archivists for their onslaught? Less so than they probably should be.