Moving Image Archive News -

Moving Image Archive News -

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Joel Archer’s Quest for Film Revival

posted June 27, 2016

joel at camera

In Queensland, Joel Archer brings elderly audiences alive with the movies of their heydays – then he goes out and scours aging or abandoned cinemas for missing screen gems. And he has found some memorable ones.

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Categories: FeaturesOf Special Interest

Ruby Bridges, 6, Symbol of Desegregation

posted June 3, 2016

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Thanks to a grant from the National Film Preservation Foundation, Amistad Research Center will restore and make accessible rare footage of Ruby Bridges, a little girl who in 1960 found herself at the forefront of school desegregation in New Orleans.

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Categories: FeaturesOf Special Interest

Animating the Hangman

posted May 31, 2016

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The Animation Show of Shows has received a grant from the National Film Preservation Foundation to preserve "Hangman" (1964), a cautionary animated adaptation of Maurice Ogden’s poem about a town that allows its citizens be executed one by one. Finding the elements of the film has entailed a search that demonstrates the heartening results that film-restoration devotees can achieve when they go terrier-like after their quarry.

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Categories: FeaturesOf Special Interest

Yale to Preserve Documentarian Nick Doob

posted May 24, 2016

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Nick Doob has been in the forefront of American documentary-film making for decades, and now the films he made while a college student are being preserved by his alma mater, thanks to a grant from the National Film Preservation Foundation.

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Categories: FeaturesOf Special Interest

39 Institutions Receive Preservation Grants

posted May 18, 2016

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In its 2016 round of preservation grants, the National Film Preservation Foundation has awarded grants to 39 institutions to ensure the survival of 64 films, among them "The Streets of Greenwood" (1963), a documentary about civil rights activists registering African American voters in Mississippi, and James Blue’s "The Olive Trees of Justice" (1962), about the torn loyalties of an Algerian/French man during the Algerian civil war, which won a prize at the Cannes Film Festival.

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Categories: FeaturesNewsOf Special Interest

A Vengeful, but Oddly Unsorrowful Belladonna

posted May 17, 2016

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A restoration of a monument of Japanese anime film does it great honor, visually, and prompts some questions about representations of sexual assault, perpetrator presumption, and much else.   Eiichi Yamamoto’s 1973 animated Belladonna of Sadness has long been “simply the most beautiful and transcendent film I knew in proportion to both its obscurity, and

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Categories: FeaturesOf Special Interest

How to Break into Movies — in 1907

posted April 12, 2016

original cover

With a long-ago birthday present from his grandmother, Darren Nemeth, a Michigan early-film enthusiast, has been able to publish a refurbished edition of a 1907 catalog that told traveling film exhibitors everything they needed to know if they were to succeed in the burgeoning business.

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Who Is Crazy? Always a Good Question

posted March 31, 2016

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"Who's Crazy?," a 1965 film by Thomas White, a young American in Paris with performances by members of the Living Theater and soundtrack by Ornette Coleman, has turned up in a New York garage, and has been restored to throw light on experimental cinema of its day.

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Categories: FeaturesNewsOf Special Interest

Reproducing Film Colors, and Their Significances

posted March 17, 2016

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Barbara Flueckiger is figuring out how best to determine the colors that films have had, throughout cinema history. She is developing means to replicate the colors in digital restorations. Her huge challenge: to understand not only the properties of film colors, but also their origin in cultural tastes for particular color palettes. Her work is shading film interpretation and film history.

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Ecstatic Cinema: Romantic Experimental Filmmaking in the 1960s

posted February 20, 2016

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Wheeler Winston Dixon celebrates a group of films from the early to mid 1960s whose makers adopted a strategy of sensory overload to draw viewers in so they would experience, without restraint, the sheer joy of existence in a world of seemingly endless possibility. And he worries that they may fall irretrievably far out of public view.

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Categories: FeaturesOf Special Interest