posted August 2, 2017
How do people dance, and how do cultural factors affect how they do? The Association for Cultural Equity in New York, which musicologist Alan Lomax founded to explore and preserve expressive traditions such as music and dance, will help to answer such questions by using a grant from the National Film Preservation Foundation to restore and care for a set of “choreometric” films that Lomax and two colleagues made.
posted June 29, 2017
The Washington University Libraries’ Film & Media Archive will preserve Code Blue, a 1972 recruitment film aimed at bringing minorities into the medical profession, thanks to a grant in this year’s round of Basic Preservation Grants from the National Film Preservation Foundation. The Archive was among 36 institutions selected for one of the grants, earlier this month.
posted June 19, 2017
With a 2017 grant from the National Film Preservation Foundation, the Congregation of Sisters of St. Agnes, in Wisconsin, will preserve a promotional film from the heyday of recruitment of nuns to Catholic convents. In the 1950s and 1960s, young women entered Catholic convents in cohorts large enough that their process of formation could be as richly social as it was spiritual.
posted June 15, 2017
The Washington University Libraries’ Film & Media Archive has completed the preservation and digitization of The Streets of Greenwood, a rare civil-rights documentary film from 1963, and has made it freely available, online. The Archive completed the work with a Basic Preservation Grant it received in last year’s round of funding from the National Film Preservation Foundation. One purpose of the grants is to allow archives to make noteworthy films publicly available.
posted June 13, 2017
The National Film Preservation Foundation has announced (13 June 2017) grants to save 57 films, including Code Blue (1972), a recruitment film aimed at bringing minorities into the medical field made by Henry Hampton’s Blackside Inc., the Emmy-winning producer of Eyes on the Prize, and Broken Barriers (1919), the first motion-picture adaptation of the Sholem Aleichem story that inspired Fiddler on the Roof.
posted May 10, 2017
Few film fans would think to seek out films that corporations, schools, and religious and political organizations made to pitch their various causes and campaigns. And yet, as film collector and historian Rick Prelinger demonstrated in 2006 with his The Field Guide to Sponsored Films, such works can be of considerable historical, cultural, or artistic interest. Now an online companion to the Guide has been launched, the Online Field Guide to Sponsored Films.
posted July 11, 2016
In their 1963 documentary The Streets of Greenwood, a group of young film-makers provided a close-up view of a Mississippi voter-registration drive, of citizens claiming their basic rights, and of a rally that lifted the spirits of harassed activists.
posted June 3, 2016
Thanks to a grant from the National Film Preservation Foundation, Amistad Research Center will restore and make accessible rare footage of Ruby Bridges, a little girl who in 1960 found herself at the forefront of school desegregation in New Orleans.
posted May 31, 2016
The Animation Show of Shows has received a grant from the National Film Preservation Foundation to preserve "Hangman" (1964), a cautionary animated adaptation of Maurice Ogden’s poem about a town that allows its citizens be executed one by one. Finding the elements of the film has entailed a search that demonstrates the heartening results that film-restoration devotees can achieve when they go terrier-like after their quarry.
posted May 24, 2016
Nick Doob has been in the forefront of American documentary-film making for decades, and now the films he made while a college student are being preserved by his alma mater, thanks to a grant from the National Film Preservation Foundation.