posted March 17, 2016
Barbara Flueckiger is figuring out how best to determine the colors that films have had, throughout cinema history. She is developing means to replicate the colors in digital restorations. Her huge challenge: to understand not only the properties of film colors, but also their origin in cultural tastes for particular color palettes. Her work is shading film interpretation and film history.
posted December 28, 2015
Even at the time of Satjajit Ray’s death in 1992, aged 70, the films of the astonishing “Apu Trilogy” were in sad shape, to their maker’s great regret. The original prints had been so badly damaged that they had risked being thrown out. Their resurrection, now, in a 4K digital restoration, is a remarkable event in film restoration.