posted September 16, 2021
Mario-Paul Martínez’s Arcadeologia visits the workshop floors, meeting rooms, and convention centers where dedicated Spanish enthusiasts are retrieving such machines from dusty mausoleums. He surveys the thriving world of arcade video game restoration in Spain, as well as some of its current outgrowths, long after its heyday in the country and throughout the world.
posted August 17, 2021
The Moving Image, the peer-reviewed journal of the AMIA — Association of Moving Image Archivists — is planning a special issue on the theme of Borders and Boundaries. Just what does that theme entail, when it comes to all things moving image?
posted July 24, 2021
The cinematic legacies of the first postwar nuclear tests: in 1947, Operation Crossroads used more than half the world’s supply of film stock and hundreds of cameras to capture a series of nuclear detonations. The cinematic legacy of such bombs is extensive.
posted June 28, 2021
Australia’s National Archives is 1,400 years behind schedule if it is to preserve even its current holdings. Its users are not happy. More than 150 prominent cultural figures have addressed an open letter to Prime Minister Scott Morrison, urging his government “to stop the neglect of the National Archives and protect the nation's history.” They have been met by seeming scorn.
posted June 10, 2021
After a wildfire destroyed or severely damaged vast amounts of library holdings at the University of Cape Town, in South Africa, librarians and archivists — not just from UCT, but also from around the world — joined an effort to recuperate the losses, to whatever extent is possible. The losses included much of one of the largest collections anywhere of books, films, photographs, and other primary sources relating to African history, including a largely irreplaceable collection of journalists' film and other records from the Apartheid era.
posted April 14, 2021
An almost 100-year-old canvas cinema curtain in Queanbeyan, a southeastern Australian town, bears telling witness to the life of the settlement, and to the early history of film exhibition in the region, and the whole country. It’s held in the Queanbeyan Museum and is too big for curators to roll out in their facility, a former police sergeant’s residence. The Museum’s curators count the curtain, which doubled as a sort of advertising hoarding, as one of their most cherished items, in good part for the tale it tells of Queanbeyan life in the 1920s.
posted April 1, 2021
The civil rights era in the United States was a time of great upheaval, of continuing and at times intensified injustice, and of both triumph and tragedy. Now the Boston-based American Archive of Public Broadcasting (AAPB) has released a new online exhibit – Freedom Song: Interviews from Eyes on the Prize: America’s Civil Rights Years, 1954–1965 – that explores what went into making the groundbreaking 1987 television series, Eyes on the Prize, which famously depicted the era.
posted March 22, 2021
The range of fascinating pitches made in “industrial” films during the heyday of that sprawling genre is evident in the Cinecraft Production collection, which the Hagley Library in Wilmington, Delaware, has acquired and is now promoting. How were workers in the mid-20th century assured that capitalism and industrialism were wholesome forces? How did consumers in 1947 learn about the introduction of FM radio, and how the technology operated? If you were an industrialist, how did you tell members of the public about your industry, if otherwise word would likely never get out?
posted March 5, 2021
What did the State of Israel look like at its founding in 1948? What ads ran on TV in 1970? What did vacationing on the seaside look like in 1968? Since the Israel Film Archive launched its new website in September 2020, it has attracted well over 500,000 visits from people interested in finding out. Visitors have also been able to stream feature films, there, and many other audiovisual recordings.
posted February 2, 2021
For decades, Lillian Michelson performed research in support of Hollywood film producers, directors, designers, and other creatives. With material she gathered in the course of her work, in 1969 she began the Cinema Research Library that now bears her name. A new chapter in the vast collection has begun with Michelson’s donation of the material to the Internet Archive.