Ongoing Greatness and What Brings You to Maine?

posted November 5, 2015

Alamo Theatre, 2006. Courtesy of Melissa Dollman

Moving-image archivist and researcher Melissa Dollman attended this year's Wunderkino, an event that Northeast Historic Film holds each year in the near-100-year-old venue, the Alamo Theatre in Bucksport, Maine, and reports on the pleasures of an intimate gathering of archivists, scholars, and artists devoted to the history, theory, and preservation of moving images.

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Categories: EventsFeaturesOf Special Interest

Time to Start Fixing India’s Tattered Film Heritage

posted November 18, 2014

Kalpana before after 2 copy

India’s cinematic heritage is vast, varied, and in dire need of better care — some film makers and supporters are taking the first steps to remedying a huge problem. They have drawn support and assistance from some of the world's most capable archivists to offer a crash course in best practices.

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Categories: EventsFeaturesOf Special Interest

Google Up, for a Free Online Symposium

posted November 1, 2014

Thanhouser Studio doco

For insights into the core considerations and possibilities for the preservation and restoration of moving-image media, you can tune in online to a free symposium of restoration and archiving experts on Sunday 2 November 2014 at 3pm US West Coast Time (GST-7hr)

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Categories: EventsNewsOf Special InterestShorts

A Funny Thing About Home Movies…

posted October 17, 2014


Saturday 18 October 2014 is Home Movie Day. Events will take place in many cities in many countries around the world. Free for anyone to take part in, the events provide opportunities to see and share home movies with community audiences. Moving-image archivists and other enthusiasts organize the events, and provide information about how to care for home movies.

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Categories: EventsFeaturesOf Special Interest


posted January 6, 2014

Caylin Smith asks Thomson & Craighead (Jon Thomson and Alison Craighead) about their goals in repurposing "found" online data and video to create artworks for the Digital Age. How are they using online networks and social-information vehicles. And how are they handling the tricky business of preserving "born digital" audio-visual art works?

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Categories: EventsFeaturesOf Special Interest